[:en]Mohamad Ulil Albab Abstract This thesis discusses governmental control and intervention towards songs writing in Indonesia, espescially in Soekarno’s Managed Democracy (Demokrasi Terpimpin) untill Soeharto’s Pancasila regime, namely from 1959-1998. The thesis compares the intervention imposed in both regime. Along Managed Democracy, music is part of revolutionary struggle since it is written to enhance nationalism...
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