[:en]SUMMARY
The Television Movie Script of “Pemuda Idaman #ngaca” Romance Comedy; Bima Aji Rogo Wibowo, 120110401014; 2016; 57 pages; Television and Film Study Program, the University of Jember.
The television movie script of “Pemuda Idaman #ngaca” is a romance-comedy screenplay written based on the phenomenon of being single in Indonesia and the personal experience of the writer. It becomes interesting to be written as a medium giving moral gist of self-mirroring (self-improving) and written by occupying such comedical situations, so the audience could easily understand the moral value within it. Overall, the television movie screenplay of “Pemuda Idaman #ngaca” offers entertainment, education, and romance.
By employing the physical constitutional psychology theory by Ernst Kretschmern, the writer describes the characters in the screenplay and hopes to elaborate the characterizations based on the physical typology. The main character in the script is self-reconstruction of the writer because one of the backgrounds behind the script is based on his personal experience of being single. The television movie screenplay was written after the writer had conducted an observation about the phenomena of being single in Indonesia added with the personal experience of the writer.
The result of the television movie script hopefully gives the moral value of self-improving in selecting a partner of love. By using the physical constitutional psychology theory by Ernst Kretschmern, the writer could describe the characterizations through the physical typology. The characterizations are considered based on the physical typology on the physical constitutional psychology theory by Ernst Kretschmern.
[:id]RINGKASAN
Naskah Film Televisi Genre Romance Comedy “Pemuda Idaman #ngaca”; Bima Aji Rogo Wibowo, 120110401014; 2016; 57 halaman; Program Studi Televisi dan Film Fakultas Ilmu Budaya Universitas Jember.
Naskah film televisi “Pemuda Idaman #ngaca” merupakan naskah skenario bergenre romance comedy, ditulis berdasarkan fenomena lajang di Indonesia dan pengalaman pribadi pengkarya. Hal tersebut menjadi menarik untuk ditulis pengkarya, sebagai media pemberi pesan moral mengaca (memantaskan diri), ditulis dengan menggunakan situasi komedi sehingga penonton mudah memahami pesan moral yang terdapat dalam naskah. Secara keseluruhan naskah skenario film televisi “Pemuda Idaman #ngaca” memberikan hiburan, edukatif dan kehidupan romansa.
Dengan menggunakan teori psikologi kostitusi fisik dari Ernst Kretschmern pengkarya mendeskripsikan tokoh dalam naskah, diharapkan dapat mengungkapkan karakter tokoh berdasarkan tipologi fisiknya. Tokoh utama dalam naskah merupakan rekonstruksi diri pengarya karena salah satu latar belakang pembuatan karya ini berdasarkan pengalaman pribadi pengkarya saat lajang (jomblo). Penulisan naskah skenario film televisi ini ditulis setelah pengkarya melalukan observasi terhadap fenomena- fenomena lajang di Indonesia kemudian ditambah dengan pengalaman pribadi pengkarya.
Hasil naskah film televisi ini memberi pesan moral memantaskan diri dalam memilih pasangan (kekasih). Menggunakan teori psikologi kostitusi fisik dari Ernst Kretschmern dapat menggambarkan tokoh melalui tipologi fisiknya. Karakter – karakter tokoh ditentukan sesuai tipologi (bentuk) fisik sesuai teori teori psikologi kostitusi fisik dari Ernst Kretschmern.
[:]